May 2022 - TOKYO
Group Exhibition - Galerie BDMC - TOKYO METROPOLITAN ART MUSEUM
May 2022 - SEOUL
Group Exhibition - Galerie BDMC - MARUARTCENTER
October 2021 - PARIS
Group Exhibition - Galerie BDMC - CARROUSEL DU LOUVRE
October 2021 - MOSCOW
Group Exhibition on Sciarcism Topic - MMOMA - Moscow Museum of Modern Art
September 2021 - KIEV
Guest of honor as a member of the artistic movement SCIARCISM for THE BEST ARTIST 2021 competition in Ukraine
The KIEV MUSEUM welcomes two digital works on Sciarcism as part of its permanent collection of modern art
September 2018 - LONDON
One month group exhibit - MANDALA & KALEIDOSCOPE
November 2018 - WASHINGTON DC
One month group exhibit - DIGITAL PORTRAIT & KALEIDOSCOPE ART
2021 - NEW YORK
Online Gallery - Sciarcism Section - ARTIOS GALLERY NYC
January 2019 - WASHINGTON DC
6 months collaboration with the TOUCHSTONE GALLERY (www.touchstonegallery.com)
THE ART FORM « COLORSHAPPING »
The American Artist-writer-political economist Griffith Lighton comments my work
Literally, sensational use of color and shape.
This is what I mean when I describe the art form « colorshaping ». The affect is not simply a happy or sad feeling or something in between. There can be a visceral, sensational effect. In this case, it’s like a roller coaster ride. Really good example of what modern art actually is, combining the notion of realism with the abstraction of « as best can be determined ».
The image is abstract but, at the same time, it has natural color and shape to render an affectation that has nothing to do with its natural identity. The « added identity » is an on-demand attribute of the artist, describing what objective reality actually is, as best can be determined within the realm of relative perception, with just happens to be the way science describes it.